Micro-ficciones (cómo desaparecer en escena)

This piece is a response to an Express invitation from la Poderosa, a work rooted in IN-stantaneity.
Sedimented body, absent body, subtle body, murdered body, double body, non-body body...

If we want to find something that corresponds to the word 'subject' we should look towards one's own madness.
Pier Aldo Rovatti

In the contemporary world, the body is disclosed as a device through which it could free itself from a self-pronounced fate, while at the same time it becomes aware of its own extreme vulnerability.
Martí Perán

25 minutes

Conceived and performed by Masu Fajardo