Since their first work Building (1999), SUPERAMAS have seen their task as taking on dance with materials from other areas of life. The group uses untreated, often unspectacular circumstances as well as readymades coming from everyday culture, and it treats those elements equally. SUPERAMAS are especially interested in attributes developing from the combined presentation of materials and their newly derived connections. Showing here means letting see, expose to view. In the context of public performance, SUPERAMAS call their work dé-montrer, separating and dismantling that which in its original state presented a unit or entity. According to this concept, visible facts are questioned. Samples from films and cutting techniques are implemented in the artistic work. Superamas.