INTRO 1 mover el cuerpo

1 Experimental training – Tacitus work.       Improvisación concreta – Coreografía abierta   Locate these practical notes about the circumstances or situations that I look those jobs where the interior face of the scene, or action choreography evolve live.

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INTRO 1 mover el cuerpo

1 Experimental training – Tacitus work.       Improvisación concreta – Coreografía abierta   Locate these practical notes about the circumstances or situations that I look those jobs where the interior face of the scene, or action choreography evolve live.

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dance labs themes: when I move and when I move my body

To move the body or / and to move my body. Not relation, in the similarities or in the differences, of thought and action, between each of these perspectives. There is an enormous crack that prevents the conscience and the

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dance labs themes: when I move and when I move my body

To move the body or / and to move my body. Not relation, in the similarities or in the differences, of thought and action, between each of these perspectives. There is an enormous crack that prevents the conscience and the

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what I can use a sentence like this?

“What happens in the studio is no longer a secret” are things that are invented me? For me, invented me, expressed the vitality (creative) parallel to the development of a work or work continuity. Objects, thoughts or actions, which were

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what I can use a sentence like this?

“What happens in the studio is no longer a secret” are things that are invented me? For me, invented me, expressed the vitality (creative) parallel to the development of a work or work continuity. Objects, thoughts or actions, which were

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Themes labs: No stagnate in exactly figure /execution

but obtaining a basic sense of Figure. what this phrase? from this question and the content of the sentence beginning on workshop that I prepare for Julio in La Poderosa. Personality in the classical figures through the basic feel of

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Themes labs: No stagnate in exactly figure /execution

but obtaining a basic sense of Figure. what this phrase? from this question and the content of the sentence beginning on workshop that I prepare for Julio in La Poderosa. Personality in the classical figures through the basic feel of

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next lab, Too much theater, Tenerife

INTRO We have arranged a corporality for every circumstantial reality. Example:_ the idea or intention of concentration reproduces a body with military attitude. Si obvius that we have an exquisite relation with the body that little by little develops mediocre

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next lab, Too much theater, Tenerife

INTRO We have arranged a corporality for every circumstantial reality. Example:_ the idea or intention of concentration reproduces a body with military attitude. Si obvius that we have an exquisite relation with the body that little by little develops mediocre

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Espaciales III: idea de cambio

Espaciales III: idea de cambio, is a place for action, a thought that unfolds over a week of progressive work on location Espaciales video. When we observe that the main movement involved in an action takes place once it is

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Espaciales III: idea de cambio

Espaciales III: idea de cambio, is a place for action, a thought that unfolds over a week of progressive work on location Espaciales video. When we observe that the main movement involved in an action takes place once it is

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thought up in the top of the head

  thought is a movement. moving thought.   was walking looking at the floor and the head was weighing me. It seemed to my thoughts and the images were invading and me were losing general conscience. Thought. From the thought

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thought up in the top of the head

  thought is a movement. moving thought.   was walking looking at the floor and the head was weighing me. It seemed to my thoughts and the images were invading and me were losing general conscience. Thought. From the thought

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work context: Dulzura, estiramiento. Peso y propiedad (Sweetness, stretching. Weight and property)

Sweetness, stretching. Weight and property With sweetness I refer to the rested relation (distance) and intimate way to the experimentation with the body. Enunciates the use of the flexibility between the intentions and actión o thinking and moving The stretching,

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work context: Dulzura, estiramiento. Peso y propiedad (Sweetness, stretching. Weight and property)

Sweetness, stretching. Weight and property With sweetness I refer to the rested relation (distance) and intimate way to the experimentation with the body. Enunciates the use of the flexibility between the intentions and actión o thinking and moving The stretching,

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experimental dance. Clases experimentales de danza.

martes y jueves de sepotiembtre, octubre y noviembre 2013. inicio el 17 de septiembre horario de de 18:00 a 21:00 h, barcelona, San germá 5 tercero       Estas clases experimentales se plantean como evolución del lab Improvisación concreta- coreografía

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experimental dance. Clases experimentales de danza.

martes y jueves de sepotiembtre, octubre y noviembre 2013. inicio el 17 de septiembre horario de de 18:00 a 21:00 h, barcelona, San germá 5 tercero       Estas clases experimentales se plantean como evolución del lab Improvisación concreta- coreografía

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