next lab, Too much theater, Tenerife

INTRO We have arranged a corporality for every circumstantial reality. Example:_ the idea or intention of concentration reproduces a body with military attitude. Si obvius that we have an exquisite relation with the body that little by little develops mediocre

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next lab, Too much theater, Tenerife

INTRO We have arranged a corporality for every circumstantial reality. Example:_ the idea or intention of concentration reproduces a body with military attitude. Si obvius that we have an exquisite relation with the body that little by little develops mediocre

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Espaciales III: idea de cambio

Espaciales III: idea de cambio, is a place for action, a thought that unfolds over a week of progressive work on location Espaciales video. When we observe that the main movement involved in an action takes place once it is

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Espaciales III: idea de cambio

Espaciales III: idea de cambio, is a place for action, a thought that unfolds over a week of progressive work on location Espaciales video. When we observe that the main movement involved in an action takes place once it is

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Thought in high place. El pensamiento arriba

was walking looking at the floor and the head was weighing me. It seemed to my thoughts and the images were invading and me were losing general conscience. Thought. From the thought it was happening between an attitude to other

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Thought in high place. El pensamiento arriba

was walking looking at the floor and the head was weighing me. It seemed to my thoughts and the images were invading and me were losing general conscience. Thought. From the thought it was happening between an attitude to other

/ 2 Comments

work context: Dulzura, estiramiento. Peso y propiedad (Sweetness, stretching. Weight and property)

Sweetness, stretching. Weight and property With sweetness I refer to the rested relation (distance) and intimate way to the experimentation with the body. Enunciates the use of the flexibility between the intentions and actión o thinking and moving The stretching,

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work context: Dulzura, estiramiento. Peso y propiedad (Sweetness, stretching. Weight and property)

Sweetness, stretching. Weight and property With sweetness I refer to the rested relation (distance) and intimate way to the experimentation with the body. Enunciates the use of the flexibility between the intentions and actión o thinking and moving The stretching,

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experimental dance. Clases experimentales de danza.

martes y jueves de sepotiembtre, octubre y noviembre 2013. inicio el 17 de septiembre horario de de 18:00 a 21:00 h, barcelona, San germá 5 tercero       Estas clases experimentales se plantean como evolución del lab Improvisación concreta- coreografía

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experimental dance. Clases experimentales de danza.

martes y jueves de sepotiembtre, octubre y noviembre 2013. inicio el 17 de septiembre horario de de 18:00 a 21:00 h, barcelona, San germá 5 tercero       Estas clases experimentales se plantean como evolución del lab Improvisación concreta- coreografía

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Mover el cuerpo. deep dance research

Mover el cuerpo. Deep dance research Constructing a manual or theoretical assay on the corporal work developed in the last 15 years. no es fácil escribir sobre el trabajo practico realizado en el estudio o la investigación creativa que llevas

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Mover el cuerpo. deep dance research

Mover el cuerpo. Deep dance research Constructing a manual or theoretical assay on the corporal work developed in the last 15 years. no es fácil escribir sobre el trabajo practico realizado en el estudio o la investigación creativa que llevas

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Al mover mi cuerpo – On having moved

Porosity 1 Durer, in his agreement of the painting, indicated that on having drawn, the artist should avoid the finished careful one so as not to impede the flow of his imagination. What he was naming one ” componimento uncultivated

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Al mover mi cuerpo – On having moved

Porosity 1 Durer, in his agreement of the painting, indicated that on having drawn, the artist should avoid the finished careful one so as not to impede the flow of his imagination. What he was naming one ” componimento uncultivated

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INTRO 2. mover el cuerpo:

2 Natural with artifice. According to Durkheim, the body is a factor of individuation. More tangible is the imprint of the actor in social ties are strained and plot provides symbolic meanings and values. When the instrument is yourself trying

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INTRO 2. mover el cuerpo:

2 Natural with artifice. According to Durkheim, the body is a factor of individuation. More tangible is the imprint of the actor in social ties are strained and plot provides symbolic meanings and values. When the instrument is yourself trying

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about practices: I prefer a rugged option that educated action. 

  To connect. Ability to intervene in the work of another. How, from a deep connection with the dance, those who are dedicated to teaching headed people who have not connected? “Not always do unto others as you would have

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about practices: I prefer a rugged option that educated action. 

  To connect. Ability to intervene in the work of another. How, from a deep connection with the dance, those who are dedicated to teaching headed people who have not connected? “Not always do unto others as you would have

/ No comments